Archive for the ‘illustration’ Category

eleanor taylor

Wednesday, September 1st, 2010

Eleanor Tay­lor is an illus­tra­tor study­ing at the Royal Col­lege of Art. Her work utl­izies a lot of draw­ing, but also incor­po­rates some paint­ing and col­lage as well.


There is an empti­ness and iso­la­tion to Eleanor’s work. It’s not exactly com­fort­ing, and at times extremely vul­ner­a­ble. I think that’s where the suc­cess in her work lies. Her illus­tra­tions expose a prim­i­tive feel­ing, in both style and exe­cu­tion of media. I see ref­er­ences to Medieval and Byzan­tine paint­ings with the flat por­trai­ture, as well as even a cubist feel with the flat, planed shapes.

There’s some­thing to take note of — it’s the nudity of some of her fig­ures. She puts them in dan­ger but giv­ing them no armor to pro­tect them­selves against the ani­mals and of the vast land she’s cre­ated. They must fend for them­selves, and do a pretty keen job at it (so far!).

All images via her Flickr.

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bárbara malagoli martino

Thursday, August 26th, 2010

Both humor­ous and mor­bid, Bár­bara Malagoli Mar­tino illus­trates girls and women, in a sort of cross between Japan­ese Hara­juku and a Lolita.

I like the spin that’s put on Bárbara’s illus­tra­tions. They depict exu­ber­ance and super­flu­ous­ness, using pas­tels and col­ors so sweet that it’s sac­cha­rine. Out­fit­ted with lace-up boots, cups of tea and pal­ing around with uni­corns, there is, at the same time, a sense of dis­ap­point­ment or some­thing awry. Dis­mem­ber­ment, black tears, skulls — all of these things are also present amongst the sweet.


A lot of draw­ings that I like are done in a Mole­skin, to which I say “great job!” to Bár­bara. My sketch­books are never that com­posed. Her port­fo­lio also includes shoe design, street art, apparel and acces­sory design. These things are a bit more unas­sum­ing than her draw­ings and paint­ings, but still delight­ful nonethe­less. I love her painted shoes!

All images via her Flickr

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colin stewart

Wednesday, August 25th, 2010

Colin Stew­art is a very recent col­lege grad­u­ate; the lat­est entry on his blog details pic­tures of a sum­mer degree show at his school. I love the approach of his col­lages. They are frag­mented and visu­ally jarring.

The flow and rhythm to Colin’s work is really what attracted me to it. Through his blog, you can see a bit of his process — he seems to assem­ble some parts of his of his col­lages, but also gives him­self the free­dom to arrange and add sup­port­ing pieces if necessary.

Peo­ple in Colin’s work aren’t “pretty” per say– their abstrac­tion exag­ger­ates their fea­tures and dis­torts their body parts. There is some­thing beau­ti­ful about it — it’s all in the shapes Colin has used and the way they have their own role in defin­ing his lan­guage. The same can be said about his choice of paper. Each paper cor­re­sponds with a func­tion within the com­po­si­tion — whether it be per­son, place, or thing.

All images via his website/blog.

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patrick kyle

Friday, August 20th, 2010

It’s been a long week. Luck­ily, my cal­en­dar tells me it’s Fri­day, and so that auto­mat­i­cally sets the day in the right direc­tion. You know what else is mak­ing my morn­ing a lit­tle brighter? The work of Patrick Kyle.

Patrick cre­ates images that are sur­real and set in motion by his sense of char­ac­ter devel­op­ment. He intro­duces us to dis­gust­ingly strong weight-lifters, giants, sourcers, and gen­eral michevi­ous­ness. He’s reimag­ined our sterotypes of these char­ac­ters. They are a bit more vis­ceral and sub­ver­sive, more con­cerned with break­ing con­ven­tions. I can’t help but be reminded of the car­toon Ren and Stimpy, espe­cially with some of the more graphic imagery.

I’ve writ­ten about Ginette Lapalme pre­vi­ously, and she and Patrick work closely together in the same col­lec­tive — Wowee Zonk. You can buy their zine, Pobody’s Nur­fect, a col­lec­tion of the work that the mem­bers have pro­duced together.

All images via his web­site.

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jenny smith

Tuesday, August 17th, 2010

Jenny Smith is a recent grad­u­ate of the Cam­bridge School of Art. I love the mys­tery and emo­tion present in her work.

The way Jenny moves her brush/mark-making tools across a page in such a way that con­jures mixed emo­tions — con­fu­sion, a sense of doom, and on the other end, ela­tion. At times I fear for her sub­jects, while other times they have a sense of quiet joy to them. There is an over­whelm­ing feel­ing of the mon­u­men­tal in her work as well — parts of her draw­ings are so small and look like they could be engulfed by the forces around them.

All images via her Flickr. You can also check out her blog, which also cat­a­logs inspi­ra­tion as well.

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christine hale

Friday, August 13th, 2010

I’ve posted about my affin­ity for music posters before, and the posters by Chris­tine Hale really take the cake for me. They are a beau­ti­fully drawn but at the same time eye-catching. And, despite the vary­ing bands and events she’s cre­ated posters for, they all feel cohe­sive and seem to tell one giant story.

The illus­tra­tions adorn­ing Christine’s work are sub­tly shaded, some­what quiet but exist har­mo­niously with the hazy color choices that have been made. At the same time, she’s per­son­i­fied sand­wiches, cheese, and ham­burg­ers and just strange enough to gar­ner atten­tion and draw you into find­ing out about a great band. It’s all very unas­sum­ing, but worth more than just a quick pass­ing on the street.

All images via her web­site, Posters with the Mosters.

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luke fenech

Thursday, August 12th, 2010

Luke Fenech wants to tell new sto­ries in unex­pected ways. His work is a push and pull as he pairs draw­ing with col­lage — cre­ation vs. appropriation.

Luke uses tex­tured papers that dic­tate a major­ity of his color choices, as well as com­po­si­tional ones. There’s a chal­lenge in work­ing with mate­ri­als that already have been cre­ated — you’re lim­ited, in a way, as some­thing has already been decided for you; it could already have a story. I think it’s what makes Luke’s work so great — he uses things in an unex­pected man­ner and gives cutouts and tex­tures a dif­fer­ent meaning.

Using paper in new ways coin­cides with the con­tent of his work. There is a push and pull of abstract and rep­re­sen­ta­tion. Through­out each image that Luke cre­ates, there are ele­ments that we can all iden­tify, as well and dis­torted shapes and col­ors to throw our eyes off.

All images via his web­site.

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evan b harris

Wednesday, August 11th, 2010

Evan B. Har­ris hopes to cre­ate paint­ings that appear to be made in not the 21st cen­tury, but the cen­tury prior. To help achieve this aes­thetic, he employs the use of bro­ken boards, oil and acrylic paints, plas­tic resin, and melted waxes — of which they are then brushed, sanded, pol­ished, and even beaten. It sounds harsh, but Evan insists that’s one of his favorite parts of the process!

The mood­i­ness of Evan’s work comes largely from his lim­ited palette. The muted and sub­tle tones pro­vide us with a rich and multi-faceted color story. It gives the appear­ance of antiq­uity, but also hints at moder­nity with the style of draw­ing (specif­i­cally his char­ac­ters) and metic­u­lous atten­tion to detail.

Evan’s sto­ries are pre­sented to us like a folk tale, cau­tion­ing us and demon­strat­ing con­se­quences at the same time. He makes the sea look roman­tic yet crush­ingly heart­break­ing at the same time.

All images via Charm­ing Wall.

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jing wei

Tuesday, August 10th, 2010

Jing Wei is a Brook­lynite inter­ested in print­mak­ing, and most of her images are the prod­uct of the wood­cut tech­nique.

Styl­is­ti­cally, I enjoy look­ing at her cho­sen tech­nique, with all its imper­fec­tions and the way the color lays. Because some of the ink actu­ally soaks into the wood­cut sur­face, the color is slightly less vibrant than pure ink pulled directly onto the paper. It causes Jing’s images to be a bit washed out, a bit of a throw back to them.

I love the odd­ity that exists in Jing’s work. It’s very sub­tle, and with most of her images you really need to look at them for a lit­tle while to fully take it all in. At times her draw­ings are a slightly mor­bid (other times just strange), but it’s what really draws me to her work.


All images via her web­site. Check out her blog for the lat­est news as well as work in progress.

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julien pacaud

Monday, August 9th, 2010

In Julien Pacaud’s short auto­bi­og­ra­phy, he writes that he’s even­tu­ally hop­ing to have enough time to devote him­self to his real pas­sion — time travel.

Look­ing through Julien’s port­fo­lio, it is a topic not far from his mind. He uti­lizes vin­tage pho­tographs to cre­ate fan­tas­ti­cal com­po­si­tions of peo­ple who are able to fly, and just gen­er­ally larger than life. These illus­tra­tions are less abstract than what I’ve seen, and fully flush out for­eign lands.

Julien’s work is very clean, mak­ing it more believ­able and over­all cohe­sive. His sense of color also adds to this, and I’m fur­ther reminded of the past when I look at it — The sub­tle color dropped within monot­one is indica­tive of the way pho­tographs were col­ored in the mid 20th century.

All images via his web­site.

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