Barruntando Ceramics Are Cute, Functional, Sometimes Just Cute

Barruntando

The Span­ish col­lec­tive Bar­run­tando cre­ates adorable, hand-painted char­ac­ters out of clay. Sleepy foxes, baby sloths, minia­ture croc­o­diles, and more are all avail­able in their Etsy shop. Some, like the piece above, serve a dual pur­pose aside from just look­ing cute; they are illus­trated prod­ucts like yarn bowls and magnets.

An obvi­ous strength of Barruntando’s work is their char­ac­ter design. With just a select areas of col­ors and sim­ple line work, they con­vey a light­hearted feel­ing to all of their pieces.

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Eirian Chapman’s Stylish Digital Illustrations

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I like the above illus­tra­tion so much that I made it the wall­pa­per image for my iPhone, iPad, and desk­top com­puter. (I found it at Poolga!) This pat­tern is by Aus­tralian illus­tra­tor Eirian Chap­man. She cre­ates these styl­ized illus­tra­tions fea­tur­ing bright col­ors, awe­some fash­ion, and inter­est­ing objects.

I enjoy dig­i­tal illus­tra­tion, but it’s nice to see that Eirian changes up her brushes to give it a hand drawn, tex­tured look.

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Friday Roundup: 10 Collage Artists Who Use Photographs in Their Work

In honor of the newly-launched Col­lage Scrap Exchange (have you signed up yet??), I wanted to devote today’s post to col­lage artists! Specif­i­cally, those that use pho­tographs to cre­ate their imag­i­na­tive works. You see that the crazy com­bi­na­tion you can make, along with the fun you can have by pair­ing unlikely images, is vir­tu­ally endless.

Laura Redburn, AKA Cardboard Cities

Laura Red­burn, AKA Card­board Cities. She’s par­tic­i­pat­ing in the Col­lage Scrap Exchange! Yay!

Anthony Zinonos

Anthony Zinonos. Anthony is par­tic­i­pat­ing in the Col­lage Scrap Exchange, too!

Stephen Eichhorn. This is older work - check out his newer stuff!

Stephen Eich­horn. This is older work — check out his newer stuff!

Laura Bird’s Figurative Stoneware Sculptures

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Laura Bird is an illus­tra­tor and maker based in Lon­don. One of the things that she makes are stoneware sculp­tures, a lot of which fea­ture fig­ures and cats. The ladies on rocks are my per­sonal favorite, but I enjoy all of these pieces. Check out the mix­ture of clay textures.

Check out all these pieces in Laura’s Etsy shop. She also offers plates, mugs, and tote bags!

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A Horse Playing a Saxophone? Why Not! Illustrations by Hyunyoung Kim

Hyunyoung Kim

Wel­come to the strange, col­or­ful world of Brooklyn-based illus­tra­tor Hyun­y­oung Kim. I love the over­sized flow­ers, peo­ple, and… horses wear­ing a bow-tie? And play­ing a sax­o­phone? Great! Take a close look to see all of the won­der­ful details that Hyun­y­ong has included in each ener­getic composition.

With a port­fo­lio of weird, it’s impor­tant for it all to feel like it comes from the same world. And, with her sub­ject mat­ter, color choices, and draw­ing style, it does.

Hyunyoung Kim

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Illustrators with Ink: Rebecca Volynsky

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So, I’m pretty excited about my new series, Illus­tra­tors with Ink. Tuesday’s tat­toos got a great response, and it’s fun to see all of the dif­fer­ent, per­ma­nent designs that peo­ple have on their skin. Today we’ll take a look at the tat­toos of artist Rebecca Volyn­sky.

Rebecca lives in Prov­i­dence, Rhode Island, where she’s both a prac­tic­ing artist and an expres­sive arts facil­i­ta­tor at PeaceLove Stu­dios. Her involve­ment with com­mu­nity art orga­ni­za­tions began in high school, and she later worked as a res­i­dent teach­ing artist at Prov­i­dence City Arts for Youth. These orga­ni­za­tions and activ­i­ties give peo­ple the oppor­tu­nity to find their artis­tic voice.

Your name: Rebecca Volyn­sky
Web­site: www.rvolynsky.com
How many tat­toos do you have? 4 (Bird, flax seed flower petal, bow and arrow, and anchor.)
How old were you when you got your first tat­too? 19
Do you have a favorite? If so, which one and why? All of my tat­toos are per­son­ally mean­ing­ful, but the bow and arrow is a good reminder right now of how we have to strug­gle a lit­tle bit by pulling our­selves back in order to move for­ward in life.
Where did you get your work done? Good Faith Tat­too in Boston, MA and Redemp­tion Tat­too in Cam­bridge, MA.
Is there any mean­ing behind any of your tat­toos? I got the bird tat­too when I left col­lege after my first year in order to take time off and serve as an Ameri­Corps teach­ing artist. It was a huge change in my life that set the stage for every­thing I do now in com­mu­nity art edu­ca­tion. The flax seed flower is the national flower of Belarus, which is where my fam­ily is orig­i­nally from. It’s a reminder of my grand­par­ents who still live there and why I work extremely hard. The anchor is actu­ally in honor of my grand­fa­ther. He had a Soviet avi­a­tor anchor tat­too on his fore­arm that he got done when he flew fighter planes in the Soviet army. He brought my fam­ily to this coun­try and was a strong leader, a qual­ity I try to carry with me.
Do you see a con­nec­tion between the type of tat­toos you have and your illus­tra­tive work?There are many sym­bolic ele­ments and details in my art­work that are inspired by Russ­ian byzan­tine icon paint­ings. I feel that there is a sim­i­lar style in my tat­too illus­tra­tions. I drew all of them, and see them as pieces of work that rep­re­sent pieces of my identity.

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Rebecca has a myr­iad of influ­ences: Russ­ian folk art, Byzan­tine icon paint­ings, lively col­ors, organic shapes, her expe­ri­ences as a teach­ing artist, and much more. She’s inspired by the beau­ti­ful things and the peo­ple that sur­round her every day. Look­ing at her tat­toos and work, you can see the cor­re­la­tion between the two:

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Emily Isabella’s Adorable Portraits Use Real Flowers for Their Hairdos

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Milk­weed knows she’s attractive.

Paint­ing and flow­ers, sep­a­rately, are two won­der­ful things. But, bet­ter yet, Emily Isabella com­bines both of ‘em with her Plant Peo­ple. She paints their faces and wardrobes and uses a myr­iad of flow­ers for their hair­styles. We see small, del­i­cate pods as well as larger, broad petals that sig­nify longer locks. I love how the blooms are arranged just so, and it allows her to mimic the shape of hair well.

Each image is accom­pa­nied with a curi­ous sen­tence describ­ing the per­son. I’ve included them, too!

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Peony makes friends easily.

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The tem­per­a­ture is start­ing to drop but White Wood Aster doesn’t seem to mind.

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Chrysan­the­mum had a moment of inde­ci­sion at the hair salon.

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Sun­flower isn’t always sunny.

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Cucum­ber Blos­som always adds a touch of beauty to each dish she prepares.

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Goose­neck Looses­trife under­stands the power of a name.

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Hosta’s Japan­ese name is Giboshi.

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A– tisket, a-tasket, Petu­nia prefers a hang­ing basket.

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Blaz­ing Star has a wild side.

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Daylily knows that night is inevitable.

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I think Sweet Pea was lost when I found her on the roadside.

Calling All Collage Artists: Sign Up for the Collage Scrap Exchange!

papirmass-bpb-cse-announcementDo you make col­lage art? Do you have an abun­dance of paper scraps? If so, then you need to par­tic­i­pate in the Col­lage Scrap Exchange! It’s a super fun art con­test that I’m host­ing with Papir­mass, a mail art sub­scrip­tion ser­vice (be sure to check it out, too!).

The premise is sim­ple: bun­dle up some of your favorite scraps and send them to your part­ner — another col­lage artist. They’ll ship their scraps to you, and the two of you will have a whole new set of mate­ri­als to exper­i­ment and play with! Then, make art­work that fuses both of your unique pieces.

How it works:

  1. Sign up to par­tic­i­pate in the Col­lage Scrap Exchange (CSE) with the form below.
  2. After Novem­ber 15, we’ll match up col­lage partners.
  3. You’ll pack­age your scraps and mail ‘em via snail mail to your partner.
  4. Once you receive your col­lage partner’s pack­age, make a col­lage using both of your scraps! Theme: New Landscapes
  5. Turn in your fin­ished art­work before the Feb­ru­ary 15, 2015 deadline.

Win a prize pack­age worth over $250!

  • $125 cash prize
  • 2 free sub­scrip­tions for Papir­mass
  • Get your work pub­lished in an issue of Papirmass!

Project theme: New Landscapes

Dead­lines:

  • Sign up until Novem­ber 15, 2014
  • Art­work must be received by Feb­ru­ary 15, 2015

All are wel­come to par­tic­i­pate, so please pass this along to a friend! I can’t wait to see what you come up with.

Friday Roundup: 10 Gorgeous Illustrations You Need to See

Happy Fri­day! Hope­fully you have some fun things planned for your week­end — I know I do! In the mean­time, check out these 10 illus­tra­tions I’ve seen lately and liked! Some are from my favorite illus­tra­tors while oth­ers are new discoveries.

Interview: Alex Citrin Talks Coming of Age and Her Magazine, “Until Now”

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Have ya’ll heard of Until Now? If not, then you’re in for a treat. It’s a pub­li­ca­tion started by illustrator/art direc­tor Alex Cit­rin and fea­tures sto­ries about com­ing of age (AKA the tran­si­tion from child­hood to adult­hood). Per­son­ally, I love these types of tales — they are by far my favorite sub­ject to con­sume. So, need­less to say that when I heard Alex was pro­duc­ing this for her grad­u­ate the­sis, I was excited.

Alex was a cohort of mine in MICA’s MFA Illus­tra­tion Prac­tice pro­gram, where we’re encour­aged to think about illus­tra­tion dif­fer­ently and push the field to new places. As a result, the first issue of Until Now fea­tures a ton of great illus­tra­tion show­cased in gor­geous, large spreads.

I had the plea­sure of inter­view­ing her about being an art direc­tor and her love of com­ing of age tales. This is a long-form inter­view, but stick with it. Alex is hilar­i­ous and has some great things to say.

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So, I’ll spare you answer­ing a lot of ques­tions that you’ve already cov­ered, but for those that aren’t famil­iar with Until Now, how would you describe it? How long had you been think­ing about putting a pub­li­ca­tion like this together?

Until Now is a mag­a­zine about com­ing of age, although I envi­sion the read­er­ship to be broader than just those cur­rently com­ing of age them­selves. I sup­pose I’d been think­ing about pro­duc­ing a col­lec­tion of sto­ries related to this topic for a while, though in dif­fer­ent forms — col­lages, photo essays, a graphic novel…those ideas were reflec­tive of my focuses at the time (a col­lege art major, band pho­tog­ra­pher, and illus­tra­tor, respectively).

I’ve always been obsessed with doc­u­men­ta­tion and I am also a believer in the tra­di­tional print mag­a­zine as a medium for com­mu­ni­ca­tion as well as a kind of art object. Basi­cally, I’m a com­plete lud­dite. Con­sid­er­ing the vast cul­tural reach of your aver­age main­stream mag­a­zine, though, there’s still some­thing not quite seri­ous about the for­mat. I think there’s room to play with that con­tra­dic­tion. Sim­i­larly, com­ing of age sto­ries are typ­i­cally rel­e­gated to the “less seri­ous” YA sec­tion of the library or within mag­a­zines aimed exclu­sively at teens. I’m still fas­ci­nated by com­ing of age sto­ries at age 27.

Con­tinue read­ing