Barruntando Ceramics Are Cute, Functional, Sometimes Just Cute


The Span­ish col­lec­tive Bar­run­tan­do cre­ates adorable, hand-paint­ed char­ac­ters out of clay. Sleepy fox­es, baby sloths, minia­ture croc­o­diles, and more are all avail­able in their Etsy shop. Some, like the piece above, serve a dual pur­pose aside from just look­ing cute; they are illus­trat­ed prod­ucts like yarn bowls and mag­nets.

An obvi­ous strength of Barruntando’s work is their char­ac­ter design. With just a select areas of col­ors and sim­ple line work, they con­vey a light­heart­ed feel­ing to all of their pieces.












Eirian Chapman’s Stylish Digital Illustrations

eirian chapman

I like the above illus­tra­tion so much that I made it the wall­pa­per image for my iPhone, iPad, and desk­top com­put­er. (I found it at Pool­ga!) This pat­tern is by Aus­tralian illus­tra­tor Eiri­an Chap­man. She cre­ates the­se styl­ized illus­tra­tions fea­tur­ing bright col­ors, awe­some fash­ion, and inter­est­ing objects.

I enjoy dig­i­tal illus­tra­tion, but it’s nice to see that Eiri­an changes up her brush­es to give it a hand drawn, tex­tured look.

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Collage, Lately & Liked

Friday Roundup: 10 Collage Artists Who Use Photographs in Their Work

In hon­or of the new­ly-launched Col­lage Scrap Exchange (have you signed up yet??), I want­ed to devote today’s post to col­lage artists! Specif­i­cal­ly, those that use pho­tographs to cre­ate their imag­i­na­tive works. You see that the crazy com­bi­na­tion you can make, along with the fun you can have by pair­ing unlike­ly images, is vir­tu­al­ly end­less.

Laura Redburn, AKA Cardboard Cities

Lau­ra Red­burn, AKA Card­board Cities. She’s par­tic­i­pat­ing in the Col­lage Scrap Exchange! Yay!

Anthony Zinonos

Antho­ny Zinonos. Antho­ny is par­tic­i­pat­ing in the Col­lage Scrap Exchange, too!

Stephen Eichhorn. This is older work - check out his newer stuff!

Stephen Eich­horn. This is old­er work — check out his new­er stuff!


Laura Bird’s Figurative Stoneware Sculptures

laura bird

Lau­ra Bird is an illus­tra­tor and mak­er based in Lon­don. One of the things that she makes are stoneware sculp­tures, a lot of which fea­ture fig­ures and cats. The ladies on rocks are my per­son­al favorite, but I enjoy all of the­se pieces. Check out the mix­ture of clay tex­tures.

Check out all the­se pieces in Laura’s Etsy shop. She also offers plates, mugs, and tote bags!

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A Horse Playing a Saxophone? Why Not! Illustrations by Hyunyoung Kim

Hyunyoung Kim

Wel­come to the strange, col­or­ful world of Brook­lyn-based illus­tra­tor Hyun­y­oung Kim. I love the over­sized flow­ers, peo­ple, and… hors­es wear­ing a bow-tie? And play­ing a sax­o­phone? Great! Take a close look to see all of the won­der­ful details that Hyun­y­ong has includ­ed in each ener­get­ic com­po­si­tion.

With a port­fo­lio of weird, it’s impor­tant for it all to feel like it comes from the same world. And, with her sub­ject mat­ter, col­or choic­es, and draw­ing style, it does.

Hyunyoung Kim

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BPB Projects, Interview

Illustrators with Ink: Rebecca Volynsky


So, I’m pret­ty excit­ed about my new series, Illus­tra­tors with Ink. Tuesday’s tat­toos got a great respon­se, and it’s fun to see all of the dif­fer­ent, per­ma­nent designs that peo­ple have on their skin. Today we’ll take a look at the tat­toos of artist Rebec­ca Volyn­sky.

Rebec­ca lives in Prov­i­dence, Rhode Island, where she’s both a prac­tic­ing artist and an expres­sive arts facil­i­ta­tor at PeaceLove Stu­dios. Her involve­ment with com­mu­ni­ty art orga­ni­za­tions began in high school, and she lat­er worked as a res­i­dent teach­ing artist at Prov­i­dence City Arts for Youth. The­se orga­ni­za­tions and activ­i­ties give peo­ple the oppor­tu­ni­ty to find their artis­tic voice.

Your name: Rebec­ca Volyn­sky
Web­site: www.rvolynsky.com
How many tat­toos do you have? 4 (Bird, flax seed flow­er petal, bow and arrow, and anchor.)
How old were you when you got your first tat­too? 19
Do you have a favorite? If so, which one and why? All of my tat­toos are per­son­al­ly mean­ing­ful, but the bow and arrow is a good reminder right now of how we have to strug­gle a lit­tle bit by pulling our­selves back in order to move for­ward in life.
Where did you get your work done? Good Faith Tat­too in Boston, MA and Redemp­tion Tat­too in Cam­bridge, MA.
Is there any mean­ing behind any of your tat­toos? I got the bird tat­too when I left col­lege after my first year in order to take time off and serve as an Ameri­Corps teach­ing artist. It was a huge change in my life that set the stage for every­thing I do now in com­mu­ni­ty art edu­ca­tion. The flax seed flow­er is the nation­al flow­er of Belarus, which is where my fam­i­ly is orig­i­nal­ly from. It’s a reminder of my grand­par­ents who still live there and why I work extreme­ly hard. The anchor is actu­al­ly in hon­or of my grand­fa­ther. He had a Sovi­et avi­a­tor anchor tat­too on his fore­arm that he got done when he flew fight­er planes in the Sovi­et army. He brought my fam­i­ly to this coun­try and was a strong lead­er, a qual­i­ty I try to car­ry with me.
Do you see a con­nec­tion between the type of tat­toos you have and your illus­tra­tive work?There are many sym­bol­ic ele­ments and details in my art­work that are inspired by Rus­sian byzan­ti­ne icon paint­ings. I feel that there is a sim­i­lar style in my tat­too illus­tra­tions. I drew all of them, and see them as pieces of work that rep­re­sent pieces of my iden­ti­ty.

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Rebec­ca has a myr­i­ad of influ­ences: Rus­sian folk art, Byzan­ti­ne icon paint­ings, live­ly col­ors, organ­ic shapes, her expe­ri­ences as a teach­ing artist, and much more. She’s inspired by the beau­ti­ful things and the peo­ple that sur­round her every day. Look­ing at her tat­toos and work, you can see the cor­re­la­tion between the two:

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Collage, Painting

Emily Isabella’s Adorable Portraits Use Real Flowers for Their Hairdos

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Milk­weed knows she’s attrac­tive.

Paint­ing and flow­ers, sep­a­rate­ly, are two won­der­ful things. But, bet­ter yet, Emi­ly Isabel­la com­bi­nes both of ‘em with her Plant Peo­ple. She paints their faces and wardrobes and uses a myr­i­ad of flow­ers for their hair­styles. We see small, del­i­cate pods as well as larg­er, broad petals that sig­ni­fy longer locks. I love how the blooms are arranged just so, and it allows her to mim­ic the shape of hair well.

Each image is accom­pa­nied with a curi­ous sen­tence describ­ing the per­son. I’ve includ­ed them, too!

emily isabella

Peony makes friends eas­i­ly.


The tem­per­a­ture is start­ing to drop but White Wood Aster doesn’t seem to mind.


Chrysan­the­mum had a moment of inde­ci­sion at the hair salon.


Sun­flow­er isn’t always sun­ny.


Cucum­ber Blos­som always adds a touch of beau­ty to each dish she pre­pares.


Goose­neck Looses­trife under­stands the pow­er of a name.


Hosta’s Japan­ese name is Giboshi.


A- tisket, a-tas­ket, Petu­nia prefers a hang­ing bas­ket.


Blaz­ing Star has a wild side.


Daylily knows that night is inevitable.


I think Sweet Pea was lost when I found her on the road­side.

BPB Projects, Collage

Calling All Collage Artists: Sign Up for the Collage Scrap Exchange!

papirmass-bpb-cse-announcementDo you make col­lage art? Do you have an abun­dance of paper scraps? If so, then you need to par­tic­i­pate in the Col­lage Scrap Exchange! It’s a super fun art con­test that I’m host­ing with Papir­mass, a mail art sub­scrip­tion ser­vice (be sure to check it out, too!).

The premise is sim­ple: bundle up some of your favorite scraps and send them to your part­ner — anoth­er col­lage artist. They’ll ship their scraps to you, and the two of you will have a whole new set of mate­ri­als to exper­i­ment and play with! Then, make art­work that fus­es both of your unique pieces.

How it works: 

  1. Sign up to par­tic­i­pate in the Col­lage Scrap Exchange (CSE) with the form below.
  2. After Novem­ber 15, we’ll match up col­lage part­ners.
  3. You’ll pack­age your scraps and mail ‘em via snail mail to your part­ner.
  4. Once you receive your col­lage partner’s pack­age, make a col­lage using both of your scraps! The­me: New Land­scapes
  5. Turn in your fin­ished art­work before the Feb­ru­ary 15, 2015 dead­line.

Win a prize package worth over $250!

  • $125 cash prize
  • 2 free sub­scrip­tions for Papir­mass
  • Get your work pub­lished in an issue of Papir­mass!

Project theme: New Landscapes


  • Sign up until Novem­ber 15, 2014
  • Art­work must be received by Feb­ru­ary 15, 2015

All are wel­come to par­tic­i­pate, so please pass this along to a friend! I can’t wait to see what you come up with.


Sign ups for the Col­lage Scrap Exchange are now closed. If you missed the dead­line, don’t wor­ry — the col­lage con­test will be back!

Lately & Liked

Friday Roundup: 10 Gorgeous Illustrations You Need to See

Hap­py Fri­day! Hope­ful­ly you have some fun things planned for your week­end — I know I do! In the mean­time, check out the­se 10 illus­tra­tions I’ve seen late­ly and liked! Some are from my favorite illus­tra­tors while oth­ers are new dis­cov­er­ies.


Interview: Alex Citrin Talks Coming of Age and Her Magazine, “Until Now”


Have ya’ll heard of Until Now? If not, then you’re in for a treat. It’s a pub­li­ca­tion start­ed by illustrator/art direc­tor Alex Cit­rin and fea­tures sto­ries about com­ing of age (AKA the tran­si­tion from child­hood to adult­hood). Per­son­al­ly, I love the­se types of tales — they are by far my favorite sub­ject to con­sume. So, need­less to say that when I heard Alex was pro­duc­ing this for her grad­u­ate the­sis, I was excit­ed.

Alex was a cohort of mine in MICA’s MFA Illus­tra­tion Prac­tice pro­gram, where we’re encour­aged to think about illus­tra­tion dif­fer­ent­ly and push the field to new places. As a result, the first issue of Until Now fea­tures a ton of great illus­tra­tion show­cased in gor­geous, large spreads.

I had the plea­sure of inter­view­ing her about being an art direc­tor and her love of com­ing of age tales. This is a long-form inter­view, but stick with it. Alex is hilar­i­ous and has some great things to say.

until now magazine

So, I’ll spare you answer­ing a lot of ques­tions that you’ve already cov­ered, but for those that aren’t famil­iar with Until Now, how would you describe it? How long had you been think­ing about putting a pub­li­ca­tion like this togeth­er?

Until Now is a mag­a­zine about com­ing of age, although I envi­sion the read­er­ship to be broad­er than just those cur­rent­ly com­ing of age them­selves. I sup­pose I’d been think­ing about pro­duc­ing a col­lec­tion of sto­ries relat­ed to this top­ic for a while, though in dif­fer­ent forms — col­lages, pho­to essays, a graph­ic novel…those ideas were reflec­tive of my focus­es at the time (a col­lege art major, band pho­tog­ra­pher, and illus­tra­tor, respec­tive­ly).

I’ve always been obsessed with doc­u­men­ta­tion and I am also a believ­er in the tra­di­tion­al print mag­a­zine as a medi­um for com­mu­ni­ca­tion as well as a kind of art object. Basi­cal­ly, I’m a com­plete lud­dite. Con­sid­er­ing the vast cul­tur­al reach of your aver­age main­stream mag­a­zine, though, there’s still some­thing not quite seri­ous about the for­mat. I think there’s room to play with that con­tra­dic­tion. Sim­i­lar­ly, com­ing of age sto­ries are typ­i­cal­ly rel­e­gat­ed to the “less seri­ous” YA sec­tion of the library or with­in mag­a­zi­nes aimed exclu­sive­ly at teens. I’m still fas­ci­nat­ed by com­ing of age sto­ries at age 27.

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