We all have our own ways of achieving ~zen~, and for me, it’s witnessing the beauty of grandiose natural landscapes. The vast, seemingly never-ending horizon reminds me of just how big the world is, dwarfing whatever worries occupy my brain. Maggie Chiang captures this feeling with exquisite snapshots of open spaces. Inky and drawn textures mimic desert scenes, rapid waters, and gray skies. In every image, the Earth looks magnificent and makes me want to find the nearest hiking trail!
Sometimes, it’s the most simple approach that makes the biggest impact. Edda Gimnes, aka EDDA, has created a line of clothing that combines the energy and spontaneity of a pencil sketch with avant-garde fashion. They’re drawings brought to life!
Edda produced this stunning surface design using her non-dominant left hand and then digitally printed it onto canvas. The garment’s silhouettes are basic, but they don’t need to be overly sophisticated—their bold, black lines define skinny pants, bikini tops, and glamorous dresses.
Last fall, illustrator Rose Wong had a show called Consider Death at Grumpy Bert in Brooklyn. The works included are poignant and beautiful in their simplicity —Rose mixes bold floral elements with geometric forms, inserting a contemplative figure among them. This character, devoid of a face/emotions, could be, as its namesake suggests, considering the end. It takes the illustrations to a dark place, but this is in line with Rose’s artistic philosophy. In an interview with Light Grey Art Lab, she explains:
When I get sad or frustrated, art makes me feel better. But getting myself to draw when I feel down is often an uphill battle. I am often a positive and upbeat person, but sometimes when I draw, the other part of me comes through – the quiet and contemplative side. I want people to feel good when they look at my work, but to also find some sadness in it. We are all complex individuals and life is all about the emotional experiences, whether it be positive or not.
See more of Consider Death on Rose’s Tumblr. Some of my favorites are below.
I’ve said it before and I’ll say it again—I love a good pencil drawing. There’s something so satisfying about seeing a collection of marks. It looks very meditative, and even therapeutic? Italian illustrator Monica Barengo incorporates this style of drawing into her work, harnessing the energy of a sketch. Monica, however, is a more controlled with her technique, and will often juxtaposed erratic marking making with fine, measured lines.
Monica’s approach benefits the overall illustrations; the contained chaos is a great foil to the portraits of poised, calm individuals. It makes you wonder… do they have something to hide?
I know I called Monica’s characters poised, but this cute fellow is a welcome exception:
Normally, I gravitate towards illustrations that are full of color. But today, I find myself attracted to the line drawings of Ryn Frank. They’re beautiful in their simplicity, consisting of mostly thin outlines with a few filled areas. This style lends itself well to details, and Ryn doesn’t shy away from depicting textured surfaces with tiny, meticulously-sketched lines and dot after dot after dot.
Many of Ryn’s illustrations are used in pattern design. These would make wonderful wallpaper, wouldn’t they? (h/t Perrin)
Not every artist can make their sketches appear like finished works, and vice versa — not every finished piece can have the qualities of a sketch. Mathilde Vangheluwe is an illustrator who rides this fine line, and she colors her drawings with the soft hues of colored pencils, often leaving her initial graphite sketch visible. This technique is great way to add some shine and polish to something that can feel raw.
Check out Mathilde’s illustrated products in her shop!
Countless tiny lines form these exquisite illustrations by Sara Corbett. The Brooklyn-based creative uses the miniaturized ticks in designing creatures like zebras, bats, fish, and more. They’re seen frolicking in the woods in unlikely pairings. (Who would imagine that a raccoon and elephant are hang out?)
We all know the power of a small line, but it’s nice to be reminded that even the simplest mark can imply texture, movement, and the difference between tree bark and a rabbit’s fur.
If you enjoy Sara’s style, be sure to check out her comics, too!
And, a little extra: Sara also designed and made this cute plush toy!
Artists, illustrators, and makers: do you keep a lot of your work from years past? Personally, I’m bad at that. I have the itch to clean and discard, which means I’m often getting rid of work that’s on my computer but is taking up too much space in my apartment. That’s why, when artist Kyle Pellet contacted me about his new publication, Wonkyvision, I was intrigued. It’s a collection of his drawings from 2010 to now.
Published by Valley Cruise Press, this 32-page zine showcases Kyle’s sense of humor and his wacky characters throughout the years. They pepper the pages, bringing an absurdest joy to the entire thing. Check out some of the spreads below. I love how he manipulates photos, paintings, and other drawings. They all look like they’re in Kyle’s “world,” but occupy different parts of it.
Alessandra De Cristofaro’s beautiful drawings make me want to pick up a pencil. They’re rich in tone and subject matter, often depicting interior scenes and the idiosyncrasies of rooms. I love her style, and she places an emphasis on tiny, visual marks that create a feeling of movement. It’s as if energy is flowing throughout every part of her drawing!
Alessandra isn’t afraid for things to get a weird sometimes: a framed picture of a woman holding a monkey; a couple driving around a soda can; and a nighttime swim with a flamingo are all things you’ll find in her work.
Are you on Behance? If so, follow along with Alessandra’s work!
I’ve followed the work (and admired) of Stacey Rozich for years. I think it was since she was fresh out of school, but who knows. Either way, it’s always interesting to see how one’s work evolves over time. Rozich’s work still focuses heavily on pattern, masks, and drawing inspiration from folklore, but now incorporates a contemporary cultural mash up. A little more about her work via Rozich’s website:
Since moving on from a world of Japanese animation and mean pencil drawings she has created a vibrantly painted folkloric narrative that draws inspiration from many cultural references, building scenarios pulled from a realm of indigenous and contemporary symbolism. Rozich creates a parable for present day built on situational vignettes that are imagined through the lens of familiar fictional archetypes.
Deeply rooted in cultural tradition and ritual, these allegorical accounts join ancestral folklore with elements of modernity and surrealism. Influence is taken from travel, world textiles, childhood memories and the many many hours spent watching television.