Tim is influenced by the process of screen printing (color separations, offset images) and mid-century graphics. These things are very evident in his work. Even when he’s using gouache, there are flat applications of color, with some dry brushing to accent — it’s extremely reminiscent of illustrations from the mid 20th century. The gestures of his subjects and flat depiction of space is extremely effective in conveying a bold and playful message.

Tim creates a limited-edition zine, which I had the pleasure of thumbing through at Giant Robot LA. To physically hold the zine is really satisfying — the pages are weighty and I loved running my fingers across the ink. This, of course was all complimented by the high quality of Tim’s work.

All images via his website.

I love the simplicity of his images. Through his process, you can see how considered every part of his work is. I think it’s the quality I appreciate the most — the paring down of superfluous details to really get to the essence of the subject. The shapes are clean yet juxtaposed by the imperfections of his screen printing process.

It’s all got this nice vintage feel to it — I’m reminded of illustrators from the 1940’s, 1950’s and 1960’s such as Mary Blair, JP Miller and Alice and Martin Provensen. Looking at this work just makes me want to listen to jazz records.

All images via his blog and the Unseen Agency.