Katrin Rodegast’s Detailed Paper-Sculpted Illustrations

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Katrin Rode­gast is a Ger­man illus­tra­tor who cre­ates cut-paper sculp­tures that are later pho­tographed to cre­ate a 2D image. Using bright, solid col­ors she builds inti­mate scenes, delec­table edi­bles, and reveal­ing portraits.

When done well, I’m a big fan of paper-sculpted illus­tra­tions. They’re tac­tile and neat to look at, often with a lot of inter­est­ing details pep­pered through­out. Just take a look at the tiny apps on the iPhone or taped papers to the wall. Delightful.

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Friday Roundup: A Smattering of Ceramics

It was a lot of fun shar­ing ceram­ics with ya’ll this week. Of course, there was a ton I didn’t have time to fea­ture, so here’s a quick smat­ter­ing of some other won­der­ful works. See ya on Mon­day! Fol­low me on Insta­gram or Pin­ter­est, okay?

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Caroline Slotte Cuts Away at Antique Plates to Create New Stories

We’re clos­ing in on Ceram­ics Week here, and it’s been fun! Let’s keep it going with the incred­i­ble work of of Helsinki-based artist Car­o­line Slotte.

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I often think of antique porce­lain plates as being some­thing that you’d add to rather than sub­tract from. Boy, did Slotte prove me wrong! She cuts into the cen­ter of the second-hand objects and places mul­ti­ple pieces on top of one another. That way, you can see what’s been carved and sanded away and how that cre­ates an entirely new scene (and with it, story).

Here’s some more expla­na­tion from her artist statement:

The rework­ing of sec­ond hand objects play a piv­otal role in Car­o­line Slotte´s prac­tice. She manip­u­lates found mate­ri­als, pri­mar­ily ceramic every­day items, so that they take on new mean­ings. The ten­sions between the rec­og­niz­able and the enig­matic, the ordi­nary and the unex­pected are recur­ring the­matic con­cerns. More recent explo­rations reveal an expanded inter­est in mate­r­ial per­cep­tion and mate­r­ial recog­ni­tion, teas­ing out sit­u­a­tions where the ini­tial visual iden­ti­fi­ca­tion fails result­ing in an unset­tling state of mate­r­ial confusion.

Fas­ci­nat­ing! Be sure to check out her web­site to get a bet­ter view of the details. (Via Colos­sal)

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Studio Arhoj’s Ceramics Drip with Colorful, Thick Glaze

Day 3 and count­ing of Brown Paper Bag’s Ceram­ics Week! Yes­ter­day fea­tured Claire Loder’s beautifully-strange heads while Mon­day saw ani­mal fig­urines by Jen Collins. And today? The small, drip­ping sculp­tures by Stu­dio Arhoj. So, with­out fur­ther ado…

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Stu­dio Arhoj is a Dan­ish inte­rior and design stu­dio run by Anders Arjhoj. It was orig­i­nally founded in Tokyo in 2006 but is now based in Den­mark. The mashup of the two places defines their work; they strive to explore “the rela­tion­ship between Scan­di­na­vian sim­plic­ity and tra­di­tional Japan­ese cul­ture,” and keep­ing the tra­di­tions of old crafts alive (think wheel throw­ing and glaze construction).

We are in love with the hon­esty of clay, glaze and the magic that one set of human hands can
pro­duce, cre­at­ing objects that are both afford­able and unique,” Stu­dio Arhoj writes. And, they def­i­nitely achieve it;  I love the psy­che­delic col­ors, sweet and wor­ried faces, and the lus­cious drips that hang off the edges.

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Claire Loder’s Intriguingly Strange Ceramic Heads

It’s day 2 of Brown Paper Bag’s Ceram­ics Week! Today, let’s take a look at Claire Loder’s intrigu­ing heads…

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I’m simul­ta­ne­ously dis­turbed and enthralled by Claire Loder’s work. The strange and beautifully-crafted ceramic pieces have an air of mys­tery about them. We see their soft facial expres­sions as well large, foreign-looking growths that cover the entirety of their face. Loder speaks about the con­cept behind her heads:

Since august 2005 I have been pre­oc­cu­pied with mak­ing heads and faces, explor­ing the pos­si­bil­i­ties for psy­cho­log­i­cal nar­ra­tives. Con­tem­pla­tion and melan­choly are per­pet­ual under­cur­rents. As I rarely deal with any­thing below the neck I’m inter­ested in the head as a metaphor for the com­plete body.

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Bolden” by Jen Collins Has New Ceramic Beauties in the Shop!

 

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Per­son­ally, I’m not good at form­ing things out of clay, but I like look­ing at what other peo­ple can do! This entire week on Brown Paper Bag is ded­i­cated to ceram­ics in their var­i­ous forms: sur­face design, sculpted fig­ures, and more. So, let’s get started with Bolden by Jen Collins.

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I’ve long admired Jen Collin’s illus­tra­tions, so when she started mak­ing ceram­ics I was really excited. There’s some­thing incred­i­ble about how draw­ings trans­late into 3D objects, and her line, Bolden, is no excep­tion. I can imag­ine these things as 2D ren­der­ings; Jen’s sig­na­ture lines and brush strokes make their way onto the hand-formed pieces.

You can buy these delight­ful pieces in the Bolden shop. Jen tweeted that this update is the last for the fore­see­able future, so don’t waste any time!

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Friday Round Up: 12 Wonderful Angular Things

Today it’s angles all over the place. Light­ing fix­tures, desk cad­dies, illus­tra­tions, and more. This type of design is really ver­sa­tile and looks good in many dif­fer­ent appli­ca­tions. No won­der it remains so pop­u­lar; Mary Blair (below) was work­ing with geo­met­ric shapes back in the mid-20th century.

As always, happy Fri­day! And, to my US read­ers — have a great long weekend!

PS: Sep­tem­ber 1 — 5 is CERAMICS week on Brown Paper Bag. All that week I’ll fea­ture my favorite beau­ti­ful break­ables.

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Sketch Desk Tidy

Check out Kristin’s new cloth­ing and acces­sories line, too!

The Visually Dizzying Works of Husmann/Tschaeni

Husmann/Tschaenihusmanntschaeni12 I don’t know how best to describe these works (are they paint­ings? par­tially pho­tographs?) by Husmann/Tschaeni, so I’ll just let them speak for them­selves. The in-your-face color, tex­ture, and pat­terns are a dizzy­ing com­bi­na­tion that I find cap­ti­vat­ing. They draw me in and I can’t look away. See more images on Husmann/Tschaeni’s web­site, which includes equally as intense series of pho­tographs. Husmann/Tschaeni husmanntschaeni9 husmanntschaeni8 husmanntschaeni7 husmanntschaeni6 husmanntschaeni5 husmanntschaeni4 husmanntschaeni3 husmanntschaeni2 husmanntschaeni1

Elsa Mora’s Incredible Cut Paper “Garden of Books”

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Ya’ll, I am so impressed with this cut paper sculp­ture by artist Elsa Mora; the details within it are incred­i­ble! Using just acid-free paper and glue, she cre­ates depth and tex­ture through well-placed cuts and minus­cule, hand-punched holes. Close-up shots reveal won­der­ful things like the tini­est dec­o­rated books on a shelf. Get lost in this piece titled Gar­den of Books.

You might be famil­iar with Mora via her excel­lent blog, Art is a Way. If you don’t read it, I highly rec­om­mend that you start. It’s one of my go-to blogs, and it fea­tures ceram­ics, artists, crafts, and more.

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Applique Pooch Portraits by Olga Ezova-Denisova

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With a vari­ety of fab­rics, Olga Ezova-Denisova cre­ates por­traits of ani­mals using an applique tech­nique. They’re fun: dogs are dressed for both cold weather and a day at the beach, and we see them don­ning scarves, caps, rosy cheeks, and more.

I love the mix­ing of mate­ri­als and how they’re han­dled in a painterly way. Small shapes of fab­ric cre­ate high­lights and show the direc­tion of fur. They also define its con­tours and form. Addi­tional embroi­dery stitches refine details that give these pieces even more depth.

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And these pieces are a com­bi­na­tion of linocut and embroidery:

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