Posts Tagged ‘paper’

annie vought

Friday, July 30th, 2010

Annie Vought does some really inter­est­ing cut outs with paper. Using jour­nal entries, she manip­u­lates orig­i­nal text and draw­ings to cre­ate large-scale multi-layered pieces.

I am espe­cially fond of the way Annie uses accent­ing lines to cut a hor­i­zon­tal plane. Design-wise, it cre­ates pock­ets of shapes and abstracts the let­ters even fur­ther. The light­ing of the piece also dis­torts the let­ter­ing even more to cre­ate nearly a sep­a­rate work of shadow art on the wall behind the cut outs.

I’m in awe of how neat Annie’s work is, despite the obvi­ous lim­i­ta­tions of cut­ting out paper. Her words and images are fluid and free. I’d love to know the sto­ries behind these let­ters. Some seem more per­sonal than oth­ers. Per­haps they were found objects?

All images via her web­site.

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alexis mann

Thursday, June 24th, 2010

Alexis Mann writes that paper “…is friendly to hold­ing the kind of sto­ries I tell in my paint­ings”. She enjoys how paper is portable, and pieces can be snipped and rearranged — how it is both frag­ile and resilient.

This dual­ity that is present in paper is also present in the work of Alexis. Her work revolves around the dri­ving forces of love and water, and how those things bind all crea­tures. Rela­tion­ships between the land and sea, the crea­tures of both as well as humans are all inter­twined and through this, we dis­cover that all of these things aren’t so dif­fer­ent. That, at the most basic level, we are all apart of the same world and exist together.

With this in mind, Alexis cre­ates very con­tem­po­rary draw­ings despite her con­cept — she’s got tat­tooed and styl­ishly dressed peo­ple. I love the fusion of these two things. Love and rela­tion­ships are some­thing that are never out of vogue, so the work has a strong foundation.

All images via her web­site.

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kate slater

Wednesday, April 21st, 2010

Kate Slater is an illus­tra­tor liv­ing in Lon­don. Her work is a com­bi­na­tion of flat col­lage and paper, cut-outs, and wire (used to cre­ate a relief sculp­ture). With her bold, eye-catching style, she’s cre­ated book cov­ers, posters, and even done animations.

I find Kate’s illus­tra­tions to be beau­ti­fully com­plex. She seems to have an unend­ing sup­ply of inter­est­ing papers and tex­tures, and uses their color and tex­ture that com­pli­ment each shape, mak­ing her work stronger as a result. Her char­ac­ter design can­not also be ignored; each char­ac­ter seems to have an elec­tric per­son­al­ity and is ener­gized by the tech­nique Kate employs.

I am in awe that Kate makes her work by hand. It’s so detailed and at times so intri­cate that the sheer crafts­man­ship will keep me look­ing at her work over and over again. There is sophis­ti­ca­tion in her work that appeals to both chil­dren and adults — a large audience.

All images via her web­site.

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camilla engman

Tuesday, April 13th, 2010

Camilla Eng­man is painter and illus­tra­tor whose moody and often ethe­real work fea­tures a wide cast of characters.

Camilla’s col­or­ing is rather muted, and she uses rich ochre, sienna, and powder-blue as her pri­mary palette. In her painted works, the cos­tum­ing and paint­ing tech­nique is rem­i­nis­cent of Euro­pean paint­ings from the 16th and 17th century.

What I really appre­ci­ate about Camilla’s work how full it is. It’s full of color, full of tex­ture, and full of inter­est­ing char­ac­ters for the viewer to take in. While it is all these things, there isn’t so much detail on each piece that it is devoid of the viewer’s inter­pre­ta­tion. We can use our own expe­ri­ence, thoughts, and opin­ions to enjoy and cri­tique each piece. We’re not spoon-fed, and I like that.

All images via her web­site.

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rob ryan

Tuesday, April 6th, 2010

I am in the mood for cut outs today! Rob Ryan is a London-based artist whose work is com­prised of images and words cut out of paper. His work has appeared in books, mag­a­zines, and gallery shows.

I find Rob’s cut outs so won­der­ful. He wields the Exacto knife well– his shapes are elon­gated and ele­gant, and really sing. He cre­ates a dreamy, roman­tic image, which is made even more evi­dent by his illus­tra­tions cou­pled with poetry.

Rob’s work is sweet. It’s sim­ply done and a joy to look at!

All images via his web­site



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kako ueda

Tuesday, April 6th, 2010

Kako Ueda is an artist that I saw at Slash:Paper Under the Knife in New York. He is a Brook­lyn based artist that uses relief cut­ting to focus on organic forms (such as insects and the human body) and also explore the idea of thought and worship.

I really like Kako’s rep­re­sen­ta­tion of the human form. In a way, it’s vis­ceral. Kako has spared us no expense to see organs, pain, and con­sump­tion. He achieves a cer­tain level of vul­gar with the limbs hang­ing out, eye­balls dan­gling, and other exposed body parts. He has, how­ever, achieved great beauty with his shape design and intri­cate and thought­ful cutouts and use of other accent­ing materials.

I had a really hard time vis­it­ing Kako’s web­site (not sure why!), so these images are from the George Adams Gallery (I wish you could see the detail­ing better!).

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judy pfaff

Monday, April 5th, 2010

Judy Pfaff cre­ates beau­ti­ful, mul­ti­fac­eted works that reflect directly what is going on in her life and her reac­tion to it.

Judy uses a vari­ety of mate­ri­als that make her work sculp­tural and site-specific. Her use of things like string, cut paper, and paint in her draw­ings is what has really cap­tured my eye. I love her use of color, and the color rela­tion­ships she has built. Her work feels very organic and ref­er­ences the nat­ural world with­out being too rep­re­sen­ta­tional. While she has large fields of col­ors, abstract forms, she is able to bal­ance that with lines from string or thread. It’s a ves­sel to travel to dif­fer­ent parts of her drawings.

All images via her web­site.

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andrea dezso

Monday, April 5th, 2010

Andrea Dezsö is a pro­lific visual artist whose work spans draw­ing, book mak­ing, cut paper, embroi­dery, and pub­lic art.

Andrea’s work shows a keen under­stand­ing of media and visu­als, and it is obvi­ous that she appeals to a wide array of of view­ers. I am par­tic­u­larly inter­ested in her artist books and embroidery.

Her tun­nel books were on dis­play at the Slash:Paper Under the Knife exhi­bi­tion and one of my favorite pieces. If you aren’t famil­iar with the for­mat of a tun­nel book, it’s a book com­prised of images that you look through to 3D land­scapes. Andrea cre­ated mul­ti­ple tun­nel books that illus­trate Tran­syl­va­nia folk­lore and myth. The tun­nel book for­mat was very appro­pri­ate; the folk­lore are sto­ries, and it’s log­i­cal that they would be pre­sented in the form of a book. There is also depth and hier­ar­chy in a tun­nel book, and at times can make for an quasi-eerie light­ing and really set the mood for the draw­ings and their content.

Andrea’s embroi­dery project is humor­ous; she took say­ings from her mother and embroi­dered them. Some of the say­ings are inap­pro­pri­ate, some funny, some just ill-advised. The pre­sen­ta­tion is of these pieces rem­i­nis­cent of an old dish towel, like some­thing that would be passed down from daugh­ter to mother.


I can really appre­ci­ate that Andrea has such a won­der­ful knowl­edge of mate­ri­als. It really allows her to make things that are highly appro­pri­ate for their sub­ject matter.

All images via her web­site.

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beatrice coron

Monday, April 5th, 2010

Beat­rice Coron is an artist whose work was in Slash:Paper Under the Knife. Her work is mon­u­men­tal to, say the least. It also really ben­e­fits from light and space, and a viewer that can devote ample time to study­ing the idio­syn­crasies and mul­ti­ple nar­ra­tives that are present in each of her works.

Beat­rice is clearly a story teller, her sil­hou­ettes her lan­guage. Her cut outs are extremely detailed, and show mul­ti­ple sto­ries and nar­ra­tives that all exist together. They are in a paper uni­verse that is one coher­ent string of dif­fer­ent char­ac­ters, with lit­tle inter­ac­tion between the fig­ures she has resid­ing the same work. That’s an inter­est­ing aspect to Beatrice’s work, and one that I find com­pelling. Her work reminds me of look­ing into an ant farm. We can see what’s going on, top to the bot­tom, side to side. The char­ac­ters seem to dwell and bur­row into the black ty-vek, and we have no idea of their iden­tity or per­son­al­ity. It’s all based upon the push and pull of neg­a­tive space.

I have been enjoy­ing her series Invis­i­ble Cities, based on the book of the same name by Italo Calvino.

All images via her web­site.

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slash:paper under the knife

Monday, April 5th, 2010

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If you fol­low my tweets at all, you might have known that I ven­tured to New York City this week­end, largely to check out the Museum of Art and Design. It was the last week­end for their exhi­bi­tion, Slash: Paper Under the Knife.

Slash rec­og­nized that paper, while a con­ven­tional and abun­dant resource, is quickly hav­ing a resur­gence in the inter­na­tional art world. The show explored the diverse uses of paper, includ­ing the way it was pre­pared, cut, and trans­formed by a range of artists.

Over­all, I enjoyed the show, which took up two lev­els of the museum. A smat­ter­ing of dif­fer­ent artists, I saw some cut paper that I enjoyed more than oth­ers (to be expected), but at the same time I was pleased by the range of the show and my intro­duc­tion to artists and ways of work­ing I was not before famil­iar with.

For the next cou­ple of days, I’ll be fea­tur­ing some artist from the show that I really enjoyed!

Added New York City treat: I got to meet the very lovely Jen Collins and sis­ter at Giant Robot NY. We had a won­der­ful time look­ing at work and perus­ing the store, and she later pre­vented me from get­ting on the wrong train. Thanks Jen!

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